Rajesh Khanna's Biography

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Introduction Of Rajesh khanna 

Rajesh Khanna was a Honorable film artist from golden Era Film industry . His nike name was Jatin Khanna , born in 29 Dec  1942  at Amritsar In Punjub and Death  18 July 2012 .He was an Indian actor, film producer and politician who is welknown for his work in the Hindi cinema. 

He got married to Mrs. Dimple Kapadia in March 1973. At his first stage in life were adopted by Chunnilal Khanna and Leelawati Khanna, then khows to his Biological  parents were- Lala Hiranand Khanna and Chandrani Khanna. His two doughter Named - Twinkle Khanna, Rinke Khanna, and Akshay Kumar Is his Son-in-low, Ranesh khanna was complited his education from K. C. College in Mumbai(Bombay ). Very Interesing to know this which was His friends and his wife called him Kaka( it's means of Punjabi Baby mace Boy) 


Rajesh Khanna's Early carrier Life History Year 1966 to1975

Rajesh Khanna was one of eight finalists from in excess of 10,000 contenders in the 1965 All India Ability Challenge, sorted out by Joined Makers and Filmfare, alongside FTII understudies Subhash Ghai and Dheeraj Kumar. 

Rajesh Khanna won the challenge. BR Chopra, Bimal Roy, GP Sippy, HS Rawail, Nasir Husain, J.Om Prakash, Mohan Saigal, Shakti Samanta and Subodh Mukherji and others had made the Unified Makers association and were thnoe judges of the challenge. 

He made his movie debut in the 1966 movie Aakhri Khat, coordinated by Chetan Anand, trailed by Raaz, coordinated by Ravindra Dave, the two of which were a piece of his foreordained prize for winning the All-India Joined Makers' Ability Competition.G.P. Sippy and Nasir Hussain were the first to sign Rajesh Khanna after he won the challenge. Aakhri Khat was India's entrance for the Best Unknown dialect Film at the 40th Oscar Foundation Grants in 1967. Khanna in a meeting to the paper The Hindu said:Though 'Aakhri Khat' is my first film, I got my first break as a main entertainer in Ravindra Dave's, 'Raaz', in 1967. My courageous woman was Babita, effectively a mainstream on-screen character at that point. In spite of the fact that I had heaps of certainty, I was timid in confronting the camera at first. In my initial three shots, I needed to perform with weight on my non-verbal communication and discourse conveyance. In spite of the fact that I was directly with my exchanges, my developments were not sufficient. Ravindra Dave clarified me my scenesand developments plainly remedying my method for walking.Being under agreement with Joined Makers, he got ventures, for example, Aurat, Doli and Ittefaq. He was then seen for his exhibitions in movies, for example, Baharon Ke Sapne, Aurat (1967), Doli, Aradhana and Ittefaq.In Bahraon Ke Sapne, the reaction from people in general in the main seven day stretch of run constrained the film's completion of be transformed from a terrible one to a more joyful one from the subsequent week. Afterward, Waheeda Rehman recommended to Asit Sen to take Khanna for the lead job in Khamoshi.Through Aradhana he rose to "moment national acclaim" and film pundits alluded to him as the "Primary Genius of India". Rajesh Khanna was thrown in a twofold job (father and child) inverse Sharmila Tagore and Farida Jalal. It additionally observed the resurgence of Kishore Kumar, who in the end turned into the official playback voice of Rajesh Khanna. They cooperated until Kishore's demise in 1987 and tunes of their blend were discharged until 1991. 



In 1971, he acted in Haathi Minor Saathi, which turned into that year's most elevated earning film and the greatest grosser ever till then.Khanna is credited with giving Salim Khan and Javed Akhtar their first opportunity to become screenplay scholars by offering them work in Haathi Unimportant Saathi. Javed Akhthar acknowledged and said in a meeting: "At some point, he went to Salimsaab and said that Mr. Devar had given him a colossal marking sum with which he could finish the installment for his lodge Aashirwad. In any case, the film's content was a long way from being palatable. He disclosed to us that on the off chance that we could fix the content, he would make sure we got both cash and credit."Rajesh purchased Rajendra Kumar's lodge named Dimple in Carter Street Promenade for 31 lakhs in 1970 and renamed it Ashirwaad.

Rajesh Khanna had 15 successive performance hit films somewhere in the range of 1969 and 1971. These were Aradhana, Doli, Bandhan, Ittefaq, Do Raaste, Khamoshi, Safar, The Train, Kati Patang, Sachaa Jhutha, Aan Milo Sajna, Mehboob Ki Mehendi, Choti Bahu, Anand and Haathi Unimportant Saathi.He had 17 continuous hit films as the lead legend from 1969 to 1971 which included 15 independent saint movies and 2 non-solo legend films; Andaz and Maryada.



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Badnam Farishte in 1971 was ineffective in the cinema world. In 1972, Khanna acted in 11 discharges including the Telugu film Bangaru Babu. That year, his movies, Amar Prem, Apna Desh and Negligible Jeevan Saathi earned more than Rs.5 crore together.His different movies of 1972, for example, Dil Daulat Duniya, Bawarchi, Joroo Ka Ghulam and Shehzada earned more than Rs.4.5 crores. His next discharge Anuraag was a hit. The film Maalik discharged in end of 1972 was ineffective. He showed up in a Telugu film called Bangaru Babu, coordinated by V.B. Rajendra Prasad in 1973, which was a hit in the cinema world.  

As per the review of Raja Rani written in 2014 by The Hindu newspaper, the film did well at the box office and, taking into consideration the inflation as of 2014, the film would have grossed more than 100 crores.The attire worn by Khanna was a sleeveless shirt and trousers, thick leather belt, shoes without socks and a black cap.The Hindu review noted On a lesser actor, the attire would have fallen flat, but Khanna, as a small time thief, carries it with characteristic élan.Rajesh acted alongside Mumtaz in eight films. They were neighbours and got along very well, which translated onto the screen. Mumtaz stated "I would pull his leg and tease him about his fan following.

Whenever Rajesh entered a hotel in Madras, there was a queue of 600 girls waiting to see him at midnight.As a result, even I would get some importance, as people would ask for my autograph as well. He was very generous with his associates, and would party a lot.

During the peak of his career he would be mobbed during public appearances. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name. Female fans sent him letters written in their blood. There used to be a line of cars of his producers and hysterical fans outside his bungalow every day. Actor Mehmood parodied him in Bombay to Goa where the driver and conductor of the bus were called 'Rajesh' and 'Khanna' respectively. Even today, he remains the favourite of mimicry artists, who copy his trademark style and dialogue delivery.
During the filming of Amar Prem there was a scene that needed to be shot at Howrah Bridge with a boat carrying Khanna and Sharmila under the bridge. The authorities ruled this scene out as they realised that if the public found out that the star would be there, it may create problems on the bridge and that it might collapse due to the number of people trying to get a glimpse of their favourite actor.Film critic Monojit Lahiri remembers "Girls married themselves to photographs of Rajesh Khanna, cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such hysteria.
In the year 1974, the Filmfare Awards were held honouring the films released in the year 1973. Khanna was nominated for his performance in a complicated role in Daag. However, since Rishi Kapoor had paid Rs.30,000 to receive the Best Actor award for his role in Bobby, Khanna did not win the award for his performance in Daag.

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image source by wikipedia
Several songs sung by Kishore Kumar in the 1970s were based on Rajesh Khanna. During the filming of the song "Mere Sapnon Ki Rani" in Aradhana, Sharmila Tagore was shooting for a Satyajit Ray film and director Shakti Samanta had to shoot their scenes separately and then join the scenes together. In the 1970s,his chemistry with Sharmila Tagore, Mumtaz, Asha Parekh, Zeenat Aman, Tanuja and Hema Malini were also popular with audiences.In 1973, BBC also made a documentary on him named as Bombay Superstar as a part of their Man Alive series. 
Shooting began when he got married and his film Daag premiered.
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In the video it can be noticed that Khanna was shooting for Aap Ki Kasam. A textbook prescribed by the Mumbai University contained an essay, The Charisma of Rajesh Khanna and Sharmila Tagore said in an interview to The Indian Express that "women came out in droves to see Kaka. They would stand in queues outside the studios to catch a glimpse, they would marry his photographs, they would pull at his clothes. Delhi girls were crazier for him than Mumbai girls. He needed police protection when he was in public. I have never seen anything like this before or since.
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Music remained one of the biggest attractions of all Rajesh Khanna films throughout his career. His films were always known for the music with chartbuster soundtracks. The reason for this was that Khanna used to personally sit in music sessions with music directors such as Kalyanji Anandji, R. D. Burman, Shankar Jaikishen, Lakshmikant Pyarelal, S.D. Burman, Bappie Lahiri and select tunes for duets and solo songs in his films. He used to be personally present for recording of the solo songs to be picturised on him.Many of the musical scores for Khanna's films were composed by Laxmikant-Pyarelal, Sachin Dev Burman and R. D. Burman. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make a number of popular films, including Kati Patang, Amar Prem, Shehzada, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Ashanti, Agar Tum Na Hote, Awaaz, Hum Dono and Alag Alag. Khanna considered Guru Dutt, Meena Kumari and Geeta Bali to be his idols. Khanna said in an interview: My inspirations include Dilip Kumar's dedication and intensity, Raj Kapoor's spontaneity, Dev Anand's style and Shammi Kapoor's rhythm.

Career History Year 1976 to1978

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image source by Wikipedia

In The Time of 1976 to 1978, Khanna acted in a couple of motion pictures that were not modernly productive. These films included Mehbooba, Bundal Baaz, Tyaag, Palkon Ki Chhaon Mein, Naukri, Chakravyuha and Janta Hawaldar, which were composed by Shakti Samanta, Shammi Kapoor, Commotion Dayal Sharma, Meraj,Hrishikesh Mukherjee, Basu Chatterjee and Mehmood Ali, independently. Khanna persuaded Samanta to cast his sister-in-law Essential Kapadia reverse him in Anurodh. Motion pictures highlighting Rajesh Khanna and facilitated by Shakti Samanta would all in all be financially productive, anyway Mehbooba was an exception.The change from nostalgic and social movies to movement orchestrated multi-starrers caused some rot of Khanna's work as far as film industry evaluations. The statement of emergency in India had irritated the lion's share and this helped films having the lead character opposing corruption to become triumphs. On-screen character Pleasure Mukherjee made Chhailla Babu, a pressure spine chiller in 1977, which transformed into the primary successful film of his as a boss, and the astonishing achievement of Chhailla Babu gave a lift to the business of Khanna. In any case, Khanna continued generally in solo-legend socially quiet nuclear family huge motion pictures during this time and played a combination of characters in motion pictures of various classes. During this stage too he had film industry hits like Maha Chor, Anurodh, Bhola Bhala, Tinku and Karm.

Rajesh Khanna was the primary choice of boss Raj Kapoor for the lead work in Satyam Shivam Sundaram, nevertheless, anyway since scarcely any people from the Raj Kapoor camp seriously repudiated Khanna being the lead, particularly Rishi Kapoor, the activity went to Shashi Kapoor.

Career History Year 1979 to1991

After 1978, Khanna featured in films like, for example, 

Amar Deep, 

Phir Wohi Raat, 

Bandish, 

Thodisi 

Bewafaii, 

Dard, 

Kudrat, 

Dhanwan, 

Ashanti (1982 film), 

Avtaar, 

Agar Tum Na Hote,                        
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Souten,

Jaanwar, Asha , Jyoti, Awaaz, Naya Kadam, Hum Dono, Babu,
Aaj Ka M.L.A. Ram Avtar,
Shatru, Insaaf Main Karoonga, Anokha Rishta, Nazrana, Angaarey, Adhikar, Amrit, Awam and Rupaye Dus Karod.

Director Bharathiraja chose to change his 1978 Tamil film industry hit film "Sigappu Rojakkal" in Hindi with Khanna playing a maniac. Kamal Haasan who assumed a similar job in Tamil won South Filmfare Best Actor Award for his depiction. In any case, the Hindi film was viewed as dubious by conventional and customary Hindi moviegoers and was not a business achievement. Tina Munim and Rajesh Khanna turned into an on and off screen couple of the eighties with motion pictures, for example, 

Fiffty Fiffty, Souten, Suraag , Aakhir Kyon?, Bewafai, Insaaf Main Karoonga, Alag Alag and Adhikar. 

Ram Awatar Agnihotri composed that Tina Munim demonstrated the principal sparkles of the devoted entertainer she would become in the movies Alag Alag and Adhikar, both with Rajesh Khanna. His on-screen pairings with Shabana Azmi, Smita Patil, Padmini Kolhapure and Poonam Dhillon were likewise mainstream in the eighties. He additionally acted in the Marathi hit film Sundara Satarkar in 1981. 

Kamal Haasan was a very close friend of Rajesh Khanna. Khanna featured in Hindi changes of 3 Tamil movies initially featuring Kamal, and Kamal acted in 2 remakes of Khanna's movies. Kamal cited in a meeting, to describe how he encountered Khanna's fame in an episode in 1985 – "He most likely hadn't been to an open venue since he turned into a star. At the point when we came to, things were alright. He delighted in the fair film (The Swarm) completely and wouldn't leave until the end titles. That is the point at which I froze. This was Rajesh Khanna, the star of the thousand years. On the off chance that crowds became more acquainted with he was available there would be a rush and blood on my hands. In any case, Mr Khanna wouldn't tune in. He remained on till the end. The unavoidable occurred after the show. 

Significant trouble become unavoidable as crowds acknowledged he was there. I became Rajesh Khanna's protector and security official as I took him through the group. His shirt was torn, yet he was having a ball completely. He snickered and laughed like a youngster. 

Khanna acted in fruitful multi-star films including Rajput, Dharm Aur Qanoon, Paapi Pet Ka , Sawaal Hai, Zamana, Dil-E-Nadaan and Ghar Ka Chiraag. He completed three motion pictures with Jeetendra: Dharam Kanta, Nishaan and Maqsad. 

In 1984, Maqsad was the second-most elevated positioned film as far as box office results, procuring gross 8.5 crores. 

In Aaj Ka M.L.A. Ram Avtar, Khanna played the character of a corrupt politician. Watchers commended his job in the film. 

In 1985 he delivered Alag-Alag. As per The Guardian (UK), he had 11 discharges as solo lead legend in the year 1985 and eight of them were hits.In the film Bewafai, with Khanna as the lead saint and Rajinikanth in a negative job, discharged and turned into a triumph and earned Rs 11.95 crore in the cinema world that year. 

Prior to joining Politics, one of his last movies as the lead legend was Swarg, was released in 1990. David Dhawan views Swarg as his most loved directorial adventure. 

In the year 1991, he featured in films - Ghar Parivaar, Rupaye Dus Karod and Begunaah as the lead saint.

Rajesh khanna's Last Career History Year of  1992 to2012

Actor Cum Politician  Rajesh Khanna Working as a Congress MP From 1991 to 1996, she returned to acting, accepting the lead work in Khudai (1994), about a father and youngster who turned out to be pitifully captivated with a comparable woman. After 1992, he appeared in only 10 motion pictures and declined most of the film offers. He made a bounce back as a NRI in Aa Ab Laut Chale Chalen (1999), and Kya Dil Ne Kya (2002) and in 1996 as his family member, Pyaar Zindagi Hai in 2001, Kaash Mere Hote in 2009, solo lead employments in films in Wafa Played. In 2008 and in 2010 the Principality. He did 4 TV serials in the period 2000–2009. He appeared in a phenomenal gathering on the show Aap Ki Adalat in 1992, where he refered to examiner Rajat Sharma, "I'll just ask regarding whether I am boastful, how did all of these creators make such an enormous number of motion pictures with me. My fans have seen this on-screen character Was changed over into a virtuoso, if I was gaudy I would never recognize me. If I was haughty people would not have made me a person from the Lok Sabha Te, since someone gives self important, he demonstrated haughtiness. Additionally, people all knew and got everything.


Rajesh Khanna's Political and business career History 


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He began crusading for the Congress after 1984, in Rajiv Gandhi's Jedi. In the Lok Sabha decisions held in New Delhi for the seventh, Khanna L.K. Lost just barely of votes, Advani then remained at the Khana tallying focus to win the selling out. In 1992, the active MP, L.K. By-decisions were called after the renunciation. Advani. Khanna challenged the seat once more, crushing Shatrughan Sinha by 25.5 votes and winning by-political decision. Rajesh Khanna was a Member of Parliament of the Indian National Congress from the body electorate of New Delhi, where he won in the by-appointment of 6, holding his seat till 1996.


Not inspired by dynamic governmental issues. Khanna didn't assume the job of new acting MP, however just Khudai (1) acted in the film. In the wake of leaving Parliament, he was a political extremist of the INC and crusaded for the gathering till the 2002 Punjab Election.



Rajesh Khanna's Illness And Death History 


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In June 2012, it was reported that Rajesh Khanna's health had deteriorated for some time. He was admitted to Lilavati Hospital in Mumbai on 23 June due to health complications. He was discharged from the hospital on 8 July and was reportedly fine. On 14 July, Khanna was admitted to Lilavati Hospital, but discharged on 16 July.

He died on 18 July 2012 at his bungalow, Aashirwad in Mumbai. Sources confirmed that his health had been deteriorating since July 2011 as he was diagnosed with cancer. After his death his co-star Mumtaz said that he was suffering from cancer for the duration of the first year and had to undergo therapy therapy. His funeral was held on July 19 at 11:00 am. 9 lakh people attended his funeral and his fans also came from Surat, Ahmedabad and abroad.
At the time of death, Rajesh Khanna was cremated on 19 July 2012 in Mumbai.

Police had to resort to lathicharge to control the crowd of fans
Gathered for the procession from his Bandra house Cremation. His wife Dimple died in the presence
Kapadia, daughters Rinke Khanna and Twinkle Khanna, son-in-law Akshay Kumar, grandson, Anju Mahendru and other close Relative. His pyre was lit by his grandson, Aarav with the help of Akshay Kumar. Amitabh Bachchan said that Rajesh Khanna's last words were "Time Up, Pack Up". In a specially recorded message for his family, friends and fans, which played on his "fourth", he thanked and saluted his friends and fans. The love with which he lashed out at her and also shared how he became a successful actor with no godfather behind him.

On 25 July 2012, his ashes were immersed in the Ganges by his wife Dimple Kapadia and daughter Rinke Khanna. President of India, Pratibha Patil, condoled the demise.

Khanna's Award's and Achievements 

1. Padma Bhushan Award 2013( after Death) 
2. Best Actor award by FilmFare in -1971, 1972 & 1975
3. Life time Achievement Award by Filmfare in- 2005

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